I produced this set a week and change ago, with the assistance of my dear friend BJ, and with the capable and inspired photographic skills of Venomous Photography. The model, Stephanie, is a charming girl who I look forwards to working with once again soon. The synthetic dreadlocks were produced and skillfully applied by the talented Melody Pilkey.
Every so often, I'll meet a prospective model for the first time, or else see a photo of them, or in some other manner or means get to the point where there seems to be the possibility that I'll end up working with them on a body painting set. And I'll have this moment of inspiration, where I just immediately say "I know what I want to do with her body." A design will begin to assemble itself in my mind's eye, with contours and shapes beginning to overlay themselves over the curves of the prospective model, with the shape nature and circumstance has provided them merging with that which I imagine looking awesome on them.
I recently had just such an experience, and the result has been a rather exceptional one. So much so that I feel like sharing the design with you folks now.

Ironically, I almost never actually end up getting to paint these onto the models they're created for; for one reason or another, it just doesn't work out, and I get what I call "orphan designs". But sometimes I'll get to paint them onto someone with a compatible shape, and it works out well enough anyways, and I at least have the original lady to thank for having inspired me to have created the original design in the first place and play the part of the muse.
(Incidentally,
For this set, I was once again assisted by
This set is a bit of a treat for me, in that it's a design I came up with fully six and a half years ago, and never, never thought I was ever actually going to get around to completing; I was prepared to consign it to the far reaches of an old sketchbook when Monique expressed an interest in it and ultimately breathed new life into it. Bully for her!
This is my second set in a row using metallic paints, and I'm really very happy with them. They're produced by a company called Pebeo, which in my lengthy experience makes the best acrylic paint on the market for doing body painting on a budget.
A year and change ago, I was informed by a girl I knew that she had cast a magical spell on me which was preventing me from doing any body painting. Anyone who knows me will be little-surprised to learn that I greeted this news with some hearty skepticism, and indeed went ahead to do a handful of body painting sets later on that year, though I was swiftly reminded of the all-to-real and non-magical reasons why I had ceased to do so a year or so prior: Getting models and photographers together for this type of work is like herding cats, and broken promises by either are about as common as blades of grass on a lawn.
This year, though, I’ve decided upon a solution to this problem which is beginning to shape up as fairly effective, which is a little something I like to call “accuracy by volume”: In essence, I begin to make arrangements with about twenty models and ten different photographers at the same time, and within a month or so, maybe I’ve got a few actual sets goin’ down. Today, I have the first fruits of this labour to present. And while magical spells may not be real, fantasy-mediaeval fiction is a deep well indeed, and one which one can readily draw all sorts of inspiration from, such as this sort of walking-coat-of-arms set here:

For this set, I was capably assisted by
wronske and
prolixapostasy , with photography provided by Jason J. Romein, and modelling provided by the lovely, talented and startlingly robust Donya Metzger. The sword prop here was provided by
traikunborn , whom I also extend my heartfelt thanks to.
This is the first set I’ve done in many years which involved metallic paints, mainly because previous experiences in which the metallic paints I’ve used have flaked and chipped off far too quickly and easily were deeply frustrating to me, but having discovered the pure joy which is working with paints from a company called Pebeo, those fears have been allayed, and I do believe I’ll be doing a few similarly-gleaming sets in the very near future.
It's true!
After doing two "hobby" sets (by which I mean sets done in or around my house, without assistants, photographer, sets, etc), I'm getting my legs under me again, and this is my first "professional" set since my return to the field. This one stars a young woman named Britt, who I'm looking forwards to working with again in the near future. Photographic duties were ably and graciously provided-for by my good friend Colin Macdonald. Yes, THAT Colin Macdonald. He is not just the proprietor of Vancouver's number one Satan-themed cafe and bake shop, but is something of an aspiring (and obviously capable) photographer. 
As with so, so many of my designs, this one was originally designed for another model, who - after I prepared it for her - disappeared off the face of the earth, but, undaunted, I re-designed it to fit Britt's curvacious form. I'm rather fond of the result. More below the cut, dear friends. Much more...
Guess what? Less than a month after the last one, I've got another ew body painting set to show! 
This one is modelled by my friend Debbie, who I worked with once before, years ago, and who, prior to her coming over to be painted, I hadn't seen in a year or so. I had been telling her about a design I had come up with for a very slight girl some months earlier (who then flaked on me), and how I hadn't been able to find another model suitable for it. Debbie pointed out that she was very light herself, and voulenteered to model this design for me. Indeed, her assessment of her own frame was if anything an understatement, but this proved no obstacle for me, since - as I have stated before - I'm growing to like working with a good variety of body types more and more.
So, this one was very loosely inspired by the facial tattoos of the Maori , which I have always adored. I wanted to create a design which was symmetrical in a number of places, and in all other places ... well, you can see for yourself. I think the effect is a neat one. Obviously, this design is a bit of a departure for me, in that it leaves a great deal more bare skin than any other set I've done to date, but in the quest to always do something new with each new set I do, such departures ought to be more the norm than the exception.
I don't know what more there is to say, but...




After about a year-and-a-half long hiatus, I'm back at it.
The thing I've discovered about professional models is that most of them - not all, but most - are terribly unprofessional. They tend not to do what they say they're going to do, and tend not to show up to photo shoots. Therefore, my best course is to go with friends and friends of friends. So it is with this model; a charming young woman named Kyndra.
The design here is one which was very loosely inspired by some designs I saw in the excellent Vertigo comic book series 'Lucifer', and one which I had a lot of fun designing; Kyndra has a build which is quite different from many of the waifish models I've worked with in the past; nothing flabby or fat about it, but much more solidly built. Designing a paint job for her which best accentuated her natural beauty was a real treat, in terms of having something interesting and new to work with.
The complete set can be viewed here: http://www.bjorn-comic.com/images/noctou
So the other week, I had a bad experience with a model.
There was this girl I met on OneModelPlace; an online modelling agency I’m a member of.
Over the course of years, the overwhelming majority of the models I’ve met through that site have been flakes, unreliable and unprofessional. Ironically, a few of the best models I’ve worked with have also come from that site, but these have been a vanishingly small minority of the models who have actually agreed to work with me on a set. The usual pattern is that they will agree to work with me, we’ll exchange information, we’ll have a few e-mails and/or phone calls go back and forth between us, and I’ll get to work on a design for them. I’ll put four or five hours of work into it, they’ll tell me they’re delighted by it, and then, as we begin to work out the actual specifics of actually doing the set, they’ll disappear off the face of the earth, ceasing to respond to e-mails or phone calls. This has happened literally dozens of times, which is a large part of the reason why I’ve done one set in the past two years.
As a result, I’ve developed a pretty thick skin to this sort of unprofessional behaviour from these people. Even so, I am surprised to learn that there are still levels of unprofessionalism which are sufficient to anger me.

More coming a few hours after I wake up this afternoon...
New body painting set going on tomorrow, for the first time since August. I'm pretty excited, and I've put a crazy-huge amount of preparation into this one. Rented a studio space, rented a smoke machine, got eighteen prosthetic horns to affix to the model, each of them hand-carved (it took hours!), got the photographer set up (who will hopefully have red-tinted lights to add atmosphere).
One thing I seem to be having some difficulty with, is getting assistants. Both the model and photographer have promised to line up some assistants for the set, wich we'll really really need; we only have the studio for four hours, so we'll need to work super-quick!
It's in Gastown (map here), from 5:30 to 10:00 PM. If anyone has the time and any small amount of skill with a paintbrush, do let me know! This could be awesom, but only if I can get some helping hands to make sure that we can get this done in the small amount of time available!
Since I haven't posted anything but bodypainting designs for the past couple of weeks, I'll just toss out a few odds and ends.
Odd: Had a dream the other day which was right peculiar. I dreamed that the earth had three moons; one small one close to earth, one medium sized one another step away, and a much larger one a step further out from that. In this dream, I was babysitting these two kids on a rooftop garden, atop a skyscraper. It was late at night, and we were watching a rare cosmological event: All three moons were full, and there was to be a total eclipse of all three of them, which was to say that they would all be perfectly lined up with one another, in a neat row. We watched this lovely event take place, but were distressed to notice there was something else behind the biggest moon... As this moon moved out of the way, we saw that there was a SECOND planet Earth back there! As we watched, huge cracks formed all over it, with magma spilling out of each of them brightly. Then, it exploded, and a white-hot shockwave washed down across the Earth, destroying the tower we were on, and killing us all.
I was a poor babysitter. If I'd been more on the ball, I could have protected them from that exploding planet.
End: I do hereby resolve not to waste my time debating with adult christians who are markedly below average intelligence. If they have yet to realize that their religion is bullshit by the time they reach adulthood, an hour or two of conversation with me isn't going to signifcantly alter their chances of ever doing so, but it does significantly alter my chances of becoming very frustrated and disgusted.
Odd: All humans are required to check this shit out.
End: I'm currently planning out new body painting sets with these four models, and have updated my OneModelPlace profile, with the earnest intent to keep it updating with new sets in the next couple of months.
Odd: I'm planning another collaboration with this very classy artist, which fans of my currently-on-hiatus comic, Dave & Vyacheslav, will likely be very happy about.
End: This awesome documentary (which I bought a year or so ago) has recently been made legal, by its writer/director/producer, Brian Flemming, to make copies of to hand out for free, so long as your intent is to show them to christians so as to explain to them the very shakey theological grounds that their religion is built upon. So, if anyone wants some copies of it on DVD, feel free to ask me. :)
Gearing up do do a bevvy of new body painting work in the next few months. I'm in touch with various models and photographers, and new designs are being churned out. All indicators are good.
In the meantime, some small variations on a design I came up with last night.

A bit more sketchy, but it's decent.

So, been talkin' to some photographers and models and such. Things are shapin' up pretty good. Lookin' forwrds to gettin' some work going, starting in april. Been churning out some new designs in the mean time, and I kinda like this one. 
So, my line art seems to have been suffering of late, it seems. Don't know why. Little drive, it would seem.
But! As this ocurs, my interest in body painting seems to be getting rekindled. I've begun to churn out new designs, and have begun to talk to models again. Even shelled out the money to renew my membership at OneModelPlace.
This design, I came up with last night, pleases me a good deal.

So, yeah. I'm aiming to do ten designs this year. One per month, 'till december ends, if I can.
I know there's a couple of models I have worked iwth, or have planned to work with, reading this. Any takers for some photographic action in the next little while?
Also, PayPal says that transferring funds will take 3-6 days. One assumes this will take at LEAST three days, yes? Three days, minimum?
Well, you can well imagine my frustration to discover that whereas I had $25 left in my account yesterday, I have -$19 in my account today. 'Cause apparantly having requested some money via paypal yesterday has borne premature fruits, and my life insurance guys decided to withdraw money either six days late or 24 days early. Whichever. I'll have to look into it.
Couple this with my friend Billy's failure to secure a location for a photo shoot he promied me for today (and indeed isn't even answering his phone), the fact that I've had two people promise to buy posters from me and then not show up in the past three days, and that I've spent the past two days by the phone waiting for Meta to call to arrange a time when I could meet her and give her the CD fulll of photos from our photo shoot (only to have her cancel, two days in a row), and the fact that my Dungeons and Dragons game got cancelled on an hour's notice last saturday, and that four of the people who were supposed to take part in that photo shoot last week didn't shw up...
And I'm feeling right pissy.
Nobody's no kind of reliable.
Grump!
- Mood:Grump!

At long last, the set is ready for presentation. Thanks once more to the photographic skills of Erich Saide, the capable assistance of Tori Bryers, and of course, the modelling skills of the beautiful miss Meta Vaugn.
( Check it out. )






